The Fountain (2006)
After the success of Requiem for a Dream in 2000, director
Darren Aronofsky announced that his next film would be a
post-matrix science fiction piece.
The story would deal with the
search for meaning in life and the search for God. Shortly
afterwards in 2002 Brad Pitt and Cate Blanchett signed up to appear
in The Fountain which was budgeted at 75 million dollars. The
script had received positive word of mouth from online film
websites and everything was looking good.
Then Pitt suddenly dropped out
and despite the fact that sets had already begun construction the
film was shut down. Warner Bros who was producing the film wanted
to get a co-financier on the risky sounding project before
production could begin again. Aronofsky re-wrote the project so
that it could be done on a budget of 35 million and recruited the
less expensive Hugh Jackman and Rachel Weisz and a greenlight given
again.
The story of The Fountain
revolves around the tree of life, which has the power to grant
immortality. It begins in the 16th century as a Spanish
conquistador Tomas played by Hugh Jackman searches for the tree of
life in central America to bring back to Queen Isabella of Spain
played by Rachel Weisz. The Queen believes the tree will end the
fighting in her country as the Spanish Inquisition is closing in
believing her to be a heretic.
We then flash forward to 2005
where scientist Tom played by Hugh Jackman again, frantically
searches for a cure for his terminally ill wife Izzy who is played
by Weisz again. He experiments on monkeys using pieces of a tree
that they have found in Brazil. Izzy meanwhile writes a book for
Tom to finish when she passes on with the first part relating the
story of the Conquistador. The film then moves forward again and
into space as a bald man in a bubble travels towards a dying star
with the tree of life.
It is not your typical Hollywood
science fiction story which is why Warners may have got cold feet
once Brad Pitt dropped out. Its hard to think of a film in recent
times which has divided people more than The Fountain did on its
release. People fall into one of two camps with this one; they
either absolutely love it or find it a pretentious piece of
rubbish. When it was released the reviews were either giving it one
star or four or five.
The film is an absolutely heart
breaking story about the inevitability of death and coming to terms
with it. The central segment set in 2005 is one of the saddest
things I have seen on screen. The fact that this is so touching can
be attributed to the performances by Jackman and Weisz. Jackman in
particular reveals previously hidden depths as a man who is torn
between spending the remaining time he has left with his dying wife
or working all hours to find her a cure. It is here that the film
has its most heartbreaking moments especially a scene, which is
repeated later on, where Izzy asks Tom to take a walk with her in
the snow but he is too busy. In all three time zones visual motifs
are repeated and the most common image is that of someone moving
down a tunnel towards a bright light.
The final scenes are where the
film truly becomes something special and the climax is something
that can be perceived several ways. Could the final space scenes be
what Tom wrote as the end of Izzys Book? Has Tom really lived on
into the future by using the tree of life’s properties on himself?
Its one of those movies which you can talk about for hours
afterwards and every time I have watched it I find a new element
that adds to the interpretation.
Special mention has to go to the music by Clint Mansell whose score
is one the best from a film in recent memory. The special effects
work is also very impressive for the reduced budget that they
worked with. Aronofsky decided to not use a lot of CGI for the
space scenes and instead used Macro-Photography of chemicals and
bacteria, which now form the scenes of the dying star.
Although a more expensive and
epic version of the story would truly be something to behold, the
lower budget actually works in the film’s favour. The central
themes and emotion of the core love story are not overwhelmed by
the scenes of epic battle that were intended in the original
script.
Sadly when The Fountain was
finally released back in November 2006 it didn’t exactly set the
box-office alight and disappeared after a week. The advertising
campaign was seemingly non-existent. When it came out in the UK ,
despite the generally better reviews here it played in only one
cinema in London. It’s a real shame as this is a film that deserves
a wider audience and to actually get more people talking about it
whether they love it or hate it.
Trivia: The original script
which was abandoned in favour of a lower budget version was
actually published as a graphic novel by the DC Comics/Vertigo
label.
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