Frailty (2001)
Bill Paxton has long been a dependable presence in some of the
most popular films of the 80’s and 90’s. He starred in Aliens and
Near Dark in the 80’s as well as two of the biggest hits of the
90’s; Titanic and Twister. Whereas most actors put on a beret and
dramatically announce ‘What I really want to do is direct’ and then
produce some over worthy Oscar bait, Paxton quietly released this
cracking horror he directed in the spring
of 2002, Perhaps too quietly.
Frailty opens with some newspaper headlines following the ‘Gods
Hands’ killings. Then moves to the FBI building in Dallas, Texas
where Fenton Meeks (Matthew McConaughey) walks in to confess to
Agent Wesley Doyle (Powers Boothe) that he knows who the ‘Gods
Hands’ killer is and its his brother Adam who has just killed
himself. Sceptical of his motives Doyle listens as Fenton
recounts the events that lead to this.
The film then flashes back to 1979 where young Fenton (Matt
O’Leary) and Adam (Jeremy Sumpter) live a carefree existence in the
small town of Thurman, Texas with their widowed mechanic father
(Paxton himself) only worrying about school and what movie to sneak
into next. This existence is shattered one night when their father
comes into their room and says that an Angel has visited him and
told him that he and his children have a mission from God; to rid
the world of demons that have taken human form. Adam believes
unconditionally as his father is his life and he is so young,
Fenton is sceptical and thinks his father had an intense dream or
has lost it. Its not long before their father is bringing home
specially selected magical weapons (an axe, a lead pipe, some
gloves) and then a list of names given to him by the angel who
continues to visit him. Then finally he brings home the first
supposed demon. To say anything else about where the story goes
would give too much away, Suffice to say it builds towards a
chilling climax that makes you question everything that has come
before.
The best thing about Frailty is its subtlety. There are no
special make up effects or unnecessary CGI when the children’s
father lays his hands on the supposed demons revealing their true
forms, just sound effects. When the victims are hacked up there is
no gratuitous blood and gore instead it cuts to the shock on the
children’s faces, which is where the true horror in this tale comes
from. The kids are the centre of this film and both put in
fantastic performances especially Matt O’Leary as young Fenton who
goes through hell in the story and has his innocence completely
corrupted. Matthew McConaughey finally justified the hype and
showed a side to him that we rarely get to see, playing a cold
calculating man who may not be what he says he is.
Special mention should also go to Brian Tyler, whose moody
evocative score underscores then tension and sustains the gothic
mood perfectly.
It’s a shame this didn’t get a wider release as it’s a film that
draws you in as effectively as any twisty suspense/horror film
that’s been released in the last 20 years and is one of the best of
the decade so far. If you like films like Seven and the original
Texas Chainsaw Massacre then chances are you will love this, its
another great film about the evil that people are capable of. It’s
a great shame as with a proper marketing campaign this could have
been just as big as either of those.
Trivia: In the original cut of the film, the crimes of the
"demons" were shown when Dad first laid his hands on them. James
Cameron, a friend of Bill Paxton, viewed this cut of the film and
suggested Paxton wait to reveal the crimes until the end of the
film.
|